Click image to download the online compendium as PDF
Click image to download the conclusions as PDF
Here you can find the documentation of the seminar
Art Production in Restriction.
Possibilities of Transformative Art Production and Coalition-Building
4-7 September 2015,
Trondheim
Download the conclusions of the seminar
Download the complete PDF-documentation of the seminar's online compendium
Or download specific contributions:
About the seminar Art Production in Restriction ___________2Introduction by Rena Raedle & Vladan Jeremic: Contradictions and Transformative Trajectory of Art & Labor ____6
Airi Triisberg: Art Workers’ Movement in Tallinn: The Politics of Disidentification _____20
Corina L. Apostol: Art Workers Between Precarity and Resistance: A Genealogy ___________32
Danilo Prnjat: Politics of Representation: Performing the People and Avant-garde Practices ___________44
Gregory Sholette: Let’s Talk About The Debt Due: Art and Debt in The 21st Century ___________52
Ivor Stodolsky: When Politics Becomes Form. The Venice Biennale, 2015 ___________59
Jelena Vesić: “Administration of aesthetics” or on underground currents of negotiating artistic jobs ___________69
Jesper Alvær: Staging Dislocation: Notes on Finished and Unfinished Work ___________87
Jochen Becker: Artist as Slave ___________101
Kuba Szreder: Cruel Economy of Authorship ___________104
Lise Skou & Bonnie Fortune: A Hidden Exchange ___________117
Lise Soskolne: On Merit ___________124
Marina Vishmidt: The Politics of Speculative Labour ___________133
Marita Muukkonen: A STATE OF PRE 21st Century ReAlignments in Art and Politics ___________147
Marius Lervåg Aasprong: Artistic work through a working-liferesearch lens ___________150
Minna L. Henriksson: Gallery Rent Model: Owner Tenant Relations in Exhibiting ___________163
Noah Fischer: The Dark Arts ___________181
Raluca Voinea: On alliances – of the impossible, unlikely, circumstantial, conventional or emancipatory kind _______190
Sissel M Bergh: Notes on Artists, Workers and Cooperation in Norway ___________194
Biographies ___________200
Further Reading and Documentation ________205